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The celebrated, of course, are apt to fall into a world of drugs, drink, broken marriages and bankruptcy but even this is given the glamour treatment instead of the squalid misery that it is in reality. The majority of Number One’s are achieved early on in the artist’s public career and before they have been able to establish reputations and build a solid fan base.

Along with the soap stars, sporting heroes and selected (however distant) members of the Royal Family, pop stars belong to a glittering world of showbiz parties, at one end of the scale, to illicit liaisons, at the other, where their lives are dragged up, dressed up, made up and ultimately destroyed.

The formula will be untampered with and the success will be repeated a second, a third and sometimes even a fourth time.

Once or twice a decade an act will burst through with a Number One that hits a national nerve and the public’s appetite for the sound and packaging will not be satisfied with the one record.

What was once yours for a few days will now enter the public domain. You will, however, see through our lies and grasp the shining truth within. Our insights will be shot through with distort rays and we will revel in our own inconsistencies.

Other than achieving a Number One hit single we offer you nothing else. Fame will flicker and fade and sex will still be a problem. We will lie to you but we will lie to ourselves as well.

Because it is only by following the clear and concise instructions contained in this book that you can realise your childish fantasies of having a Number One hit single in the official U. Top 40 thus guaranteeing you a place forever in the sacred annals of Pop History.

Be ready to dip your hands in the lucky bag of life, gather the storm clouds of fantasy and anoint your own genius.

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One on one sex text chats-67

All bands end in tantrums, tears and bitter acrimony. That said, it can be very helpful to have a partner, someone who you can bounce ideas off and vice versa. that you will convince the largest cross section of the British public to go out and buy your record.

The myth of a band being gang of lads out “against” the world (read as “to change”, “to shag” or “to save the world”) is pure wishful thinking to keep us all buying the records and reading the journals. Any more than two of you and factions develop and you may as well be in politics. Remember, Top of the Pops is all powerful and has outlasted all the greats (Cliff being the exception to the rule). ” outsider stance only gets you so far and even then takes sodden years and ends up with you alienating vast chunks of the Great British public who don’t want to be confronted with Jim Reid’s skin problem on a Thursday evening.

Mind you, it’s a myth that many band members want to believe themselves. There is no place for the nostalgia of the four lads who shook the world or the last gang in town. I repeat, take Top of the Pops to your bosom and learn to love the platform that matters the most.

The fact that a record is Number One automatically means the track is in a very short period of time going to become over exposed and as worthless as last month’s catchphrase.

Basically, a Number One is seen as the ultimate accolade in pop music. Most artists are never able to recover from having one and it becomes the millstone around their necks to which all subsequent releases are compared.

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